The look ends up being rather unusual, but truly immersive and daring, immersing you in the rich world and adding more substance to it along the way. Unlike almost every other game, no 3D model in this game uses texture mapping, which means the objects you see take their shape and fully resemble the lighting in the game. I talked about strong art earlier, but what also helps the graphics stand out are the rather unusual rendering techniques that solo developer Tomas Sala used. It helps that the frame is brought to life by some rather striking visuals. The look ends up being rather unusual, but really immersive and daring, immersing you in the rich world and adding more substance to it along the way. “Unlike almost every other game, no 3D model in this game uses texture mapping, which means the objects you see take their shape and fully resemble the lighting in the game. It is an extremely rich setting, and The falconer uses it to paint a picture of a world in perpetual conflict, with these five barely and tenuous factions hanging on and surviving. territories under his domination, due to being impermeable in their own ivory tower, or a marginal merchant city, which must face the double concern of attracting the attention of the empire and defending itself against the pirates and smugglers. Each place ends up being well defined, and even though you never really see much of it, you begin to get a feel for these individual cultures around the world, whether it is an imperial center that can barely keep up. Missions are preceded by a map preview of their setting, with characters explaining history, politics, economics, or any other factor that will end up being relevant to your upcoming mission, in voiceover. The falconer is clearly very proud of its setting. These falconers are pretty oversized bird pilots, armed with enough weapons to take on almost anything the sea can throw at them – although they are the pilots riding on the back of a bird, which means the hits damage you a bit too. Part of it comes down to its incredibly imaginative setting, a vast ocean world with tiny dotted islands controlled by warring factions, and all relying on the eponymous falconers to help protect their territory a bit. Nevertheless, even if it was, The falconer would stand out.

These were all the rage not so long ago, although the genre isn’t as popular now. “Missions are preceded by a map outline of their setting, with characters explaining history, politics, economics, or any other factor that will ultimately be relevant to your upcoming mission, in voiceover.” Much less impressive games have come out of much larger, better-resourced development teams – a game of a anyone with a few hiccups can hardly stick to so many, given this.

The falconer has quite a few issues, some small, others rather obstructive, but in the end, the fact that it was all the work of one person really helps to better appreciate the strengths of the game, while also explaining why some of its faults are as they are. It really puts a lot of things into perspective. This rather imaginative and expansive air combat game is one person’s idea. What struck me was that everything – the graphics, the combat, the world and its backstory, everything except the audio, really – was done by one person. lore and compelling backstory of this imaginative world the game was handing out in chunks, nor the actual air combat action (which we’ll get to in a moment). Tthe thing that struck me the most when I was playing The falconer It wasn’t its striking visuals – which, even on an Xbox One S, stand out as remarkably pretty, supported as they are by a very strong art style – or the breadth of the game.

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